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Our 2010 Instructors
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far; more to come...) |
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Cary
Black
Cary Black is a bassist, teacher, vocalist,
and producer who lives in Olympia,
Washington. Described by Alan Senauke
in Sing Out! magazine as “a
musician's musician,” Cary is at home in
a wide variety of musical settings.
His performance and recording credits
include work with Laurindo Almeida,
Ernestine Anderson, Tex Beneke, The Boys
of the Lough, Bob Crosby, Nokie Edwards, Dan Hicks, The Kingston
Trio, Laurie Lewis, Rose Maddox, Mollie
O'Brien, Eddie Pennington, Johnny Ray,
Kay Starr, Eddie “Cleanhead” Vinson,
Ernie Watts, and Claude “Fiddler”
Williams.
Cary has toured extensively, appearing
at festivals and concerts throughout
North America, Europe, and Asia. He has
made numerous radio appearances
including the Grand Ole Opry and A
Prairie Home Companion; and he has
performed on the PBS, ABC, FOX, and TNN
television networks. During the period
when Cary played and sang with Laurie
Lewis and Grant Street, the band was
awarded the Song of the Year and
Entertainers of the Year honors by the
International Bluegrass Music
Association.
Cary taught music theory and
improvisation for six years at The
Evergreen State College in Olympia, and
has taught upright bass for twenty years
at the Puget Sound Guitar Workshop. He
has also taught bass at the California
Coast Music Camp, Greater Yellowstone
Music Camp, Bluegrass at the Beach, B.C.
Bluegrass Workshop, Sound Acoustic Music
Camp, and Wintergrass Academy.
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Julie
Davis
Julie Davis has long been at the heart
of Denver's folk music scene, so much so
that at Swallow Hill, the second largest
folk music school in the nation is now
known as the Julie Davis School of
Music.
Julie has been bringing music to
people’s lives for most of her own.
Harry Tuft, owner of the Denver Folklore
Center and the granddaddy of Denver folk
music, says that “Julie was the second
employee of the Folklore Center, and the
youngest.” At age fourteen, she and
Harry struck a deal: he’d teach her
intermediate guitar; in return, she’d
teach a beginner class for him. Over
forty years later, she’s still teaching
and making a difference through music.
Besides performing, Julie teaches
guitar, recorder, pennywhistle, flute,
autoharp, and beginning piano, and
offers group classes on guitar, singing,
storytelling, ensembles, and performing.
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Dave
Firestine
Dave
Firestine is probably best known as the jam
leader at the Carp Camp, an institution at the
Walnut Valley Festival in Winfield, KS.
The Carp Camp is the center of the universe for
fiddle tune jamming, where one can hear Irish,
old-time, New England and French Canadian tunes
from the crack of noon to the wee hours of the
morning. Dave's style is eclectic,
incorporating a blend of old time and Irish
styles. He is especially fond of tunes that have
a unique twist, or sets that introduce
interesting changes of tempo or keys to perk up
the listener's ears.
Dave
plays mandolin, banjo, bouzouki, bodhran, and
guitar with three bands around Tucson, AZ: Round
the House, the Privy Tippers and The New
Potatoes. As a Roster Artist for the
Arizona Commission on the Arts, he teaches
workshops in schools. He also co-hosts the
Tucson Irish session and old time/contra dance
music session and leads jams and teaches
workshops at the Tucson Folk Festival, Sharlot
Hall Music Festival, the Dewey Dulcimer Festival
and the CTMS Summer Solstice Music Dance and
Storytelling Festival.
Go to Dave's home page.
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Tim May
Tim
May is one of today’s hottest flatpickers,
period. For fifteen years, he performed with
the progressive bluegrass band Crucial Smith,
playing most of the high-profile festivals in
the country including Telluride, Winfield and
Winterhawk. In 2002-2003 he toured with Patty
Loveless in support of her bluegrass albums
Mountain Soul and White Snow: A Mountain
Christmas. In 2005, he recorded on Charlie
Daniels’ album Songs from the Long Leaf Pines,
and was solo guitarist on the Grammy-nominate
track I’ll Fly Away.
Tim
has also toured with John Cowan Band, performed
at the Grand Ole Opry as a member of Mike
Snider’s Old Time String Band and recently
played on the all-star Rounder recording
Moody Bluegrass: a Nashville Tribute to the
Moody Blues, of which Mark Hurley of
Higher and Higher, the Moody Blues fan
magazine, said “The jaw-dropping guitar solo on
The Voice would cause Eddie Van Halen to
weep from insecurity.”
Tim's taught at Nashville Guitar College, South
Plains College and Nashcamp, and is a national
clinician for Breedlove guitars.
Of
his playing, Pat Flynn said “Tim always says
that I influenced him, but the truth is that
I’ve learned something every time I play with
him. I owe him a lot,” and Dan Crary said
simply, “Tim May has just become one of my
favorite guitar players.”
See a
few videos of Tim.
Go to Tim's home page.
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Raul Reynoso
Guitarist, singer and composer Raul Reynoso was
born in Los Angeles, California. He started
playing bluegrass guitar in 1974 and soon
acquired the skills that would earn him two
California State Flatpicking Guitar
championships as well as many Western regional
titles. Today, he is most noted for his
expertise on acoustic guitar and mandolin with a
mastery of styles ranging from bluegrass and
western swing to ‘30s jazz in the tradition of
the legendary Django Reinhardt.
Raul
first rose to prominence in the band of banjo
virtuoso Larry McNeely, and his three-year stint
with the band included one recording and two
appearances on the Grand Ole Opry. The release
of Raul’s CD “Royal Street” has brought Raul
international acclaim from jazz reviewers in the
US, UK and Europe. The instrumental and
compositional skills displayed on his CD have
solidified his position as one of the world’s
greatest guitarists. Music critic Jim Hilmar
said “When it comes to guitar styles, Raul
Reynoso’s clean, lithe, articulate picking
technique is to die for.”
Along with John Jorgenson, Raul is one of the
pioneers of the Gypsy Jazz movement, and has
been nominated Instrumentalist of the Year three
times by the Western Music Association.
Raul
has taught privately for over 35 years, and has
done workshop and clinics for the last fifteen.
He is a mentor at the Booher Family Music Camp,
and has done workshops with John Jorgenson for
the JazzMasters Workshop. Raul has also
taught Bluegrass workshops with Dan Crary, John
Moore, Beppe Gambetta, and Steve Kaufman.
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Doug Smith
Doug
Smith, winner of the 2006 International
Fingerstyle Guitar Championship, weaves together
folk, classical, jazz and contemporary forms
into a unique, flowing fingerpicking style
recalling the playing of Chet Atkins, Leo Kottke,
Michael Hedges, and Alex de Grassi. Of his
playing, Billboard writes
“Inviting melodies... stunning fingerpicking”;
Fingerstyle
Guitar magazine
raves “Smith's fretboard brilliance continues to
dazzle.”
He’s
been heard nationwide on radio and TV, including
The Discovery Channel, Martha Stewart Living,
CNN, TNN, ESPN, and Encore. He also played
guitar on the soundtracks for the movies Moll
Flanders, Twister,
and August Rush.
Doug
has released six of his own albums, and in 2005,
he earned a Grammy award for his role in the
album Henry
Mancini: Pink Guitar along
with a who’s who of fingerstyle guitarists
including Laurence Juber, Pat Donohue and Ed
Gerhard, Mark Hanson and William Coulter.
See a few videos of Doug.
Go to Doug's home page
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Orrin Star
Orrin Star is a nationally recognized folk &
bluegrass performer and teacher whose
performances combine hot picking, cool singing
and good humor. Winner of the 1976 National
Flatpicking Championship and once described as
“Arlo Guthrie meets Doc Watson,” he plays
flatpicked and fingerstyle guitar, banjo,
mandolin, sings, and performs solo, duo and with
his band Orrin Star & the Sultans of String. His
repertoire spans old-time, western swing,
fingerstyle blues, Celtic and original
songwriting in addition to more mainstream
bluegrass and folk material.
An
accomplished storyteller and entertainer (he
worked as a stand-up comic for five years in the
Boston area), he has appeared on A Prairie
Home Companion and has three recordings on
Flying Fish Records. He is the author of the
popular Oak Publications book
Hot Licks for
Bluegrass Guitar, and is a columnist for
Flatpicking Guitar magazine.
See a few videos of Orrin
Go to Orrin's home page
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