May 30-June 5, 2010

 

 

 

Seminars 2009

27 Fiddle Mistakes and Some Really Smart Things to do, too, Paul Anastasio:  Alfred E. Neuman said, "Profit from the mistakes of others, 'cause you'll never live long enough to make 'em all yourself."  Paul will list some things he would advise not doing, only some of which he’s done himself.  He’ll also discuss several really smart things to do.  Example: Fiddle mistake #14: leaving your fiddle under the bed in a motel. Smart thing to do #7: bring clothespins if you'll be reading music outside.  Need we say more? 

From Ireland to Appalachia: A Musical Journey, David Coe.  This seminar will explore the Irish and Scottish roots of Appalachian music and how it has affected almost all aspects of American music both yesterday and today.  We will start with the original sound of traditional Irish fiddle tunes, show when and how those tunes made the journey to the American south, and then discuss what happened musically and socially that caused the Irish tunes to become a distinct musical style in the Appalachian region of the United States.  David, who teaches both Irish and Appalachian fiddle at the camp, is uniquely qualified to discuss the history of both genres and it should be a great opportunity for everyone to learn about and also hear some fantastic music.                    

Songwriting - Gentle Critiques While-U-Wait, Carol McComb.  Bring a finished song or a work in progress to Carol to get constructive feedback on how to make your song stronger. We'll listen to your lyric, melody, chords and rhythmic accompaniment and see if your song can work better while staying true to you. All styles welcome. Please bring copies of your lyric sheets with you to your seminar. 

Introduction to Slide Guitar, Stephen Bennett.  Learn the basic techniques of getting that liquid sound.  Bring a slide. 

Big Mando, Tim May and Radim Zenkl. Tim and Radim will demonstrate some bigger models of the mandolin family including the bouzouki and the mandocello.  Be prepared for some beautiful playing, and a new way of hearing fiddle tunes. 

Approach to Composing, Doug Smith. Composing melody, harmony, rhythm and texture is a complex, multi-layered task in which all the pieces are largely interdependent.  Doug will discuss starting with simple melodic ideas, expanding on them, and putting them into a cohesive piece of music.  He’ll be demonstrating these using his compositions such as Renewal and Order of Magnitude. 

Overcoming Stage Fright, Julie Davis. Whether it is in a jam or on stage or trying to play a tune for your family, learn how to be more comfortable sharing your music with others. There are some good techniques for letting go some of the anxiety and nervousness so that your music dances more freely. 

Home Recording: Easy, Cheap and Fast, Charlie Hall.  Whether you want to save your old LPs to digital format or make high-quality multi-track recordings, you can do it fast and easily on your PC.  If you can get around Windows a little, you can do this, and cheaply.  

Become a Jam Leader!, Dave Firestine.  Learn some cheap and easy techniques to bring out the best in everyone in sessions. Jam etiquette, tune selection, and the fun factor will all be thoroughly covered. 

Luthiery Forum, Juan Mijares. Violin maker Juan Mijares will discuss instrument making and the care and feeding of stringed instruments including, but not limited to, guitars and violins. Come learn about how instruments are made, and see some steps in the process. Juan will have some partially made instruments and wood samples to show you.  This will be an open discussion with time to answer your questions. Juan owns and operates a violin shop in Colorado Springs, Mijares Violins, where he builds, repairs, buys and sells violins, and other violin family instruments. He teaches hands-on classes on instrument making at his shop. Juan attended the Violin Making School of America in Salt Lake City, Utah, graduating with the degree of Luthier. He also studied violin performance at Brigham Young University. 

Teach Yourself!, Raul Reynoso. There are a host of tools available for your computer to make you a better player, and Raul will give you a tour of a few of them.  There’s software that will slow your music down, play just sections and help you analyze it, and there’s software that will help you practice as well.  If you really use this stuff, you’ll get much better, much faster. 

Swinging Time, Cary Black. What is it about good jazz that makes you want to dance, or at least tap your foot in time? It's more than just metronomic timekeeping (though steady time is important); it's a hard-to describe sense of buoyancy and forward motion, whether the pulse is explicitly stated or merely implied.  Focusing primarily on rhythm section playing, we'll do some careful listening to a few of the masters, and discuss how we can emulate the techniques they use to subdivide the beat, "shade" the time, and add accents, articulations, and syncopations to create a variety of swing feels.                                               

Frailing banjo techniques for the Bluegrass Banjo Player, Mark Johnson.  If you love the banjo and you love Scruggs and Keith-style banjo playing, than you will love this seminar on how to do a basic right hand frailing patterns that are the building blocks to learning to “Drop Thumb” or clawhammer style. Bluegrass banjo players already have some knowledge of how to make chords, and by learning the basic right hand frailing techniques, the banjo player can easily expand his/her skills to play in a different style . Muscle memory, Timing, Thumb placement, Economy of Movement (control) and playing harmony strings while playing basic bluegrass tunes will be the goal of this seminar.

Clawgrass!  Clawhammer or Drop Thumb banjo techniques for the Bluegrass Banjo Player, Mark Johnson.  This seminar builds upon the basics of the frailing seminar and will start with a quick review of the frailing techniques and will quickly move into exercises where the student can learn to carry their thumb over to achieve the clawhammer effect. Furthering skills in Muscle Memory, Timing, Thumb placement, Economy of Movement (control) will be concentrated on.  And finally, you’ll learn more exercises to build your three finger clawhammer Roll Patterns.